Pūnaha Chromatic |

Pūnaha Chromatic – he pūnaha tekau ma rua-taahiraa, tonality toroa, – he punaha o te taurite tonal e taea ai, i roto i te tonality kua whakaritea, he aho o tetahi hanganga ki ia o nga kaupae tekau ma rua o te tauine chromatic.

He mea motuhake mo X. me. he hikoinga karekau i uru ki roto i nga punaha diatonic, major-iti ranei (tirohia te Diatonic, Major-minor) a ehara i te pai o nga punaha iti (he rereke) kei roto; i roto i te tauira kua tohua ki nga tuhipoka pango:

Tauira tono o te taurite mai i X. me:

SS Prokofiev. “Betrothal in a Monastery” (“Duenna”), scene 1. (Chord X. s. n II e whakakapi ana i te DV i konei e ai ki te kaupapa o te whakakapinga tritone.)

Harmony X. s. he nui te kanapa me te kanapa o te tangi. E rua nga momo taketake X. c. - me te tiaki i te kaupapa mono-mode (chromatic major or chromatic minor; i roto i nga mahi a SS Prokofiev) me te whakakore i taua mea (chromatic tonality me te kore e tohu i te ahua; na P. Hindemith). Ko nga punaha o nga momo e rua ka whakamahia me te pokapu i te ahua o te consoner. te orotika (tirohia te tauira i runga ake nei; he fugue hoki i te C mai i te reo Ludus tonalis a Hindemith), me te koretake. pokapū (ko te kaupapa matua o te "Great Sacred Dance" mai i "The Rite of Spring" na IF Stravinsky; te kaupapa matua o te waahanga tuarua o te "Lyrical Suite" na Berg). Dep. whakaaturanga o X. with. kua kitea i roto i nga waiata o te rau tau 2. (AP Borodin, te kati kati o "Polovtsian Dances" mai i te opera "Prince Igor": HV-I), engari ko te tino angamaheni o nga puoro tonal o te rautau 19. (DD Shostakovich, N. Ya. Myaskovsky, AI Khachaturyan, TN Khrennikov, DB Kabalevsky, RK Shchedrin, A. Ya. Eshpay, RS Ledenev, B Bartok, A. Schoenberg, A. Webern me etahi atu).

In the music science idea X. with. i tukuna e SI Taneev (1880, 1909) me BL Yavorsky (1908). Ko te kupu "chromatic tonality" i whakamahia e Schoenberg (1911). Te whakamaoritanga hou X. s. i homai e VM Belyaev (1930). I roto i te taipitopito te ariā o X. ki. whakawhanakehia i roto i te 60s. 20th century (M. Skorik, SM Slonimsky, ME Tarakanov, etc.).

Tohutoro: Taneev SI, Letter to PI Tchaikovsky dated August 6, 1880, in the book: PI Tchaikovsky – SI Taneev, Letters, (M.), 1951; tana ake, Movable counterpoint of strict writing, Leipzig, 1909, M., 1959; Yavorsky B., The structure of musical speech, part 1, M., 1908; Catuar GL, Tikanga whakaaro mo te whakakotahitanga, nga wahanga 1-2, M., 1924-1925; Belyaev VM, "Boris Godunov" na Mussorgsky. Ko te wheako o te tātari kaupapa me te ariā, i roto i te pukapuka: Mussorgsky, Tuhinga me te rangahau, vol. 1, M., 1930; Ogolevets AS, Introduction to modern musical thinking, M.-L., 1946; Skorik MM, Prokofiev me Schoenberg, "SM", 1962, No 1; tana ake, Ladovaya system S. Prokofiev, K., 1969; Slonimsky SM, Prokofiev's Symphonies. Te wheako rangahau, M.-L., 1964; Tiftikidi N., Chromatic system, “Musicology”, vol. 3, Alama-Ata, 1967; Tarakanov ME, Style of Prokofiev's symphonies, M., 1968; Schoenberg A., Harmonielehre, W., 1911; Hindemith P., Unterweisung im Tonsatz, Bd 1, Mainz, 1937; Kohoutek S., Novodobé skladebné smery v hudbe, Praha, 1965 (whakamaori Russian - Kohoutek Ts., Hangarau tito i roto i te waiata o te rau tau 1976, M., XNUMX).

Yu. N. Kholopov